'Myth' nos ofrece dos versiones con

'Myth' nos ofrece dos versiones con particularidades tímbricas muy diferenciadas, como los propios recitados, con voz de hombre o mujer, según cada músico implicado. Como había ocurrido en los dos primeros volúmenes del Makrokosmos, no me acaban de convencer los recitados en Kairos, siendo preferibles los de col legno: una lectura que vuelve a beneficiarse de una mayor musicalidad frente a un ejercicio en Kairos por momentos muy de estudio, perdiéndose el sentido de creación colectiva. Por último, la rilkeana 'Music of the Starry Nicht' prolonga lo visto en la anterior pieza, mostrando más magia en la cita bachiana el Ensemble New Art, con su bruma y resonancias percusivas, con un toque tan irreal como encantador.

結果 (英語) 1:

'Myth' offers two versions with very different tonal characteristics, such as recitations own, with the voice of man or woman, as each musician involved. As had happened in the first two volumes of the Makrokosmos not convince me recitations in Kairos, being preferred Legno col: a reading that again benefit from greater musicality against an exercise in Kairos at times very study, losing the sense of collective creation. Finally, the rilkeana 'Music of the Starry Nicht' continues seen in the previous piece, showing more magic in bachiana cites the New Art Ensemble, with its fog and percussive resonance with a touch as unreal as charming.

結果 (英語) 2:

'Myth' offers us two versions with very different timbral peculiarities, such as the recitations themselves, with the voice of a man or a woman, according to each musician involved. As had happened in the first two volumes of Makrokosmos, I have not been convinced by the recitations in Kairos, preferable to those of col legno: a reading that once again benefits from a greater musicality in front of an exercise in Kairos for moments very study, missing the sense of collective creation. Finally, the rilkeana 'Music of the Starry Nicht' prolongs what is seen in the previous piece, showing more magic in the Bachian quote the Ensemble New Art, with its mist and percussive resonances, with a touch as unreal as charming.

結果 (英語) 3:

"Myth" provides us with two different versions, with very different typical characteristics, just like the soloist himself, with male and female voices, according to each relevant musician. Like the first two volumes of makrokosmo, I'm not completely convinced by kairos's solo works. I prefer col legno's solo works: this reading again benefits from the improvement of music, rather than a long-term study in kairos, which loses the sense of collective creation. Finally, the music of lilken starlight continues the content of the previous paragraph, showing more magic in bachiana's rookie art, with the resonance of dense fog and tremor, which is neither real nor charming.