Recalando, por último, en Music for

Recalando, por último, en Music for a Summer Evening (Makrokosmos III) (1974), cierto es que la oferta en disco compacto de esta obra es menor que la de los dos primeros volúmenes, tomando aquí como comparativa el registro efectuado en 1995 por el Ensemble New Art para col legno (WWE 1CD 20023), una de las versiones más difundidas del Makrokosmos III. Estamos ante una obra escrita para dos pianos amplificados y dos percusionistas, siguiendo el orgánico de la Sonata para dos pianos y percusión (1937) de Béla Bartók. Ahora bien, en este registro de Kairos nos encontramos con la primera grabación mundial de una versión ejecutada únicamente por dos músicos, asumiendo Yoshiko Shimizu las dos partes de piano, mientras que Rupert Struber se hace cargo del doble set de percusión, todo ello gracias a las posibilidades de montaje en estudio; añadiéndose el hecho de que Shimizu registró sus partes en Japón, mientras que Struber, en Austria: procedimiento que en el ámbito de la música contemporánea hemos escuchado en más ocasiones, no siempre con felices resultados...

結果 (英語) 1:

Saturating finally in Music for a Summer Evening (Makrokosmos III) (1974), it is true that the offer on compact disc of this work is less than that of the first two volumes, taking here as comparative recording made in 1995 by New Art Ensemble for col legno (WWE 1CD 20023), one of the most widespread versions of the Makrokosmos III. We have a work written for two pianos and two percussionists amplified following the organic Sonata for Two Pianos and Percussion (1937) by Béla Bartók. Now, in this register of Kairos we find the world premiere recording of an executed only two musicians version, assuming Yoshiko Shimizu two piano parts, while Rupert Struber takes over double drum set, all thanks to the installation options under consideration;

結果 (英語) 2:

Finally, in Music for a Summer Evening (Makrokosmos III) (1974), it is true that the compact disc offer of this work is less than that of the first two volumes, taking here as a comparison the record made in 1995 by the Ensemble New Art for cabbage (WWE 1CD 20023), one of the most popular versions of Makrokosmos III. We are looking at a work written for two amplified pianos and two percussionists, following the organic Sonata for two pianos and percussion (1937) by Béla Bartók. However, in this record of Kairos we find the first worldwide recording of a version performed only by two musicians, assuming Yoshiko Shimizu the two piano parts, while Rupert Struber takes over the double set of percussion, all thanks to the possibilities of studio assembly; adding to the fact that Shimizu recorded its parts in Japan, while Struber, in Austria: a procedure that in the field of contemporary music we have heard more times, not always with happy results...

結果 (英語) 3:

Finally, in the book "makrokosmos III" (1974), it is emphasized that the CD-ROM sales volume of the work is indeed lower than the first two volumes. Here, the record (WWE 1CD 20023) made by ensenburg new art company for cabbage in 1995 is taken as a comparison, One of the most popular versions of makrokos III { 3ch202020} one of the most popular versions of makrokos III. the organic structure of two Piano Sonatas (1937) following B é La Bart ó K In this kairos record, we found the first record all over the world. This is a version composed by two musicians. Yoshiko Shimizu is in charge of two parts of the piano, while Rupert struber is in charge of two percussion scenes, all due to the possibility of editing. Plus Shimizu's registration in Japan and struber's registration in Austria, we hear more about modern music, but not always very successful