Pasando al segundo volumen del Makr

Pasando al segundo volumen del Makrokosmos, en 'Morning Music (Cancer)' Yoshiko Shimizu está soberbia rítmica y tímbricamente, extrayendo de su piano un sonido muy atractivo, pues el papel que emplaza sobre el arpa crea más matices, relieves y rugosidades que en la versión de Leng Tan. En ambos casos, hay un pertinente deje oriental que escuchamos, asimismo, en 'The Mystic Chord (Sagitarius)', pieza servida con gran modernidad por Shimizu, con ecos, por lo acerado de su ataque, de los primeros Klavierstücke de Stockhausen. Soberbia, la pianista japonesa, por técnica y aliento expresivo sobre un denso lienzo de silencio, progresivamente scriabiniano. Igualmente, exquisito sentido rítmico en 'Rain-Death (Pisces)', deparando una endiablada multiplicidad de capas (pluvio)métricas que nos remiten a todo un Conlon Nancarrow, aunque la diferenciación entre cuerdas al aire y apagadas es más sutil en Leng Tan. 'Twins Suns (Gemini)' se beneficia en este registro de Kairos de una magnífica toma de sonido para esculpir sobre el pedal los fraseos en el teclado, así como los arpegios en las cuerdas, con un sonido muy directo y solemne por esa tan definida construcción de ataques, ecos y resonancias. En 'Ghost-Nocturne: for the Druids of Stonehenge (Virgo)' hay que diferenciar, como sucede durante la mayor parte de las lecturas aquí comparadas, lo vocal y lo pianístico. La activación del arpa con vasos depara más matices en Shimizu,

結果 (英語) 1:

Turning to the second volume of the Makrokosmos in 'Morning Music (Cancer)' Yoshiko Shimizu is rhythmic pride and timbre, drawing from his piano a very attractive sound, for the role emplaced on the nuances creates harp, reliefs and roughnesses in the version of Leng Tan. in both cases, there is a relevant oriental let hear also in 'the Mystic Chord (Sagitarius)' piece served with great modernity by Shimizu, with echoes, so I steeled his attack, the first Stockhausen's Klavierstücke. Haughtiness, the Japanese pianist, for technical and expressive breath on a thick canvas of silence, gradually scriabiniano. Similarly, exquisite rhythmic sense 'Rain-Death (Pisces)', deparando a blistering multiplicity of layers (pluvio) metric that refer to a whole Conlon Nancarrow, although the differentiation between strings to the air and off is more subtle in Leng Tan. 'Twins Suns (Gemini)' benefits in this record Kairos a magnificent making sound sculpting pedal phrasings on the keyboard, as well as arpeggios in the strings, with a very direct sound and solemn as defined by the construction of attacks, echoes and resonances. In 'Ghost-Nocturne: for the Druids of Stonehenge (Virgo)' must differentiate, as for most of the readings here compared, the vocals and piano. Activation of the harp with glasses holds more nuanced Shimizu, benefits in this record Kairos a magnificent making sound sculpting pedal phrasings on the keyboard, as well as arpeggios in the strings, with a very direct sound and solemn for that very definite construction of attacks, echoes and resonances . In 'Ghost-Nocturne: for the Druids of Stonehenge (Virgo)' must differentiate, as for most of the readings here compared, the vocals and piano. Activation of the harp with glasses holds more nuanced Shimizu, benefits in this record Kairos a magnificent making sound sculpting pedal phrasings on the keyboard, as well as arpeggios in the strings, with a very direct sound and solemn for that very definite construction of attacks, echoes and resonances . In 'Ghost-Nocturne: for the Druids of Stonehenge (Virgo)' must differentiate, as for most of the readings here compared, the vocals and piano. Activation of the harp with glasses holds more nuanced Shimizu,

結果 (英語) 2:

Moving on to the second volume of Makrokosmos, in 'Morning Music (Cancer)' Yoshiko Shimizu is superbly rhythmically and timbricaly, extracting from his piano a very attractive sound, because the role placed on the harp creates more nuances, reliefs and roughness than in the version of Leng Tan. In both cases, there is a pertinent oriental deje that we also heard in 'The Mystic Chord (Sagitarius)', a piece served with great modernity by Shimizu, with echoes, as steely as his attack, of the first Klavierst-cke of Stockhausen. Pride, the Japanese pianist, by technique and expressive breath on a dense canvas of silence, progressively Scriabinian. Likewise, exquisite rhythmic sense in 'Rain-Death (Pisces)', bringing a devilish multiplicity of layers (rain)metricthat refer us to an entire Conlon Nancarrow, although the differentiation between strings in the air and off is more subtle in Leng Tan. 'Twins Suns (Gemini)' benefits in this record of Kairos from a magnificent sound shot to sculpt on the pedal the phrasings on the keyboard, as well as the arpeggios on the strings, with a very direct and solemn sound by that much-defined construction of attacks , echoes and resonances. In 'Ghost-Nocturne: for the Druids of Stonehenge (Virgo)' you have to differentiate, as is the case for most of the readings here compared, the vocal and the pianistic. Activating the harp with vessels has more nuances in Shimizu,

結果 (英語) 3:

When it comes to makrokosmos' second volume, "Morning Music" (cancer) "Yoshiko Shimizu is literally arrogant and takes an attractive sound from the piano, because the role of the harp is more nuanced, religious and roaring than the Leng Tan version. In both cases, we also heard a related Eastern dialect from "mysterious jet" (Sagittarius), which is a very modern work provided by Shimizu, including the echo of Stockhausen's first klavierst ü CKE. Proud, Japanese pianist, through technology and clear encouragement on one piece of cloth, Similarly, in Pisces, the exquisite sense of rhythm creates an ominous multi-layer (rainfall) that connects us to the entire Conlon nancaro, although in cold Tan, the distinction between string air and shutdown is more subtle. Twin suns (Gemini) 'benefits from this kairos register, which carves a beautiful sound for the harp on the keypad and the cord, which is very direct and solemn because of this very clear attack structure, echo and resonance. In "ghost night: for Druids of Stonehenge (Virgo), as in most readings compared here, you have to distinguish between sound and piano. The activation of playing piano and water cup will make the water more delicate